Daniel Grabois plays with the Wisconsin Brass Quintet, a faculty ensemble-in-residence, and teaches a studio of undergraduate and graduate students.

Mark Hetzler began playing his father’s trombone at the age of twelve. He went on to receive a B.M. from Boston University and an M.M. from the New England Conservatory of Music.

The first composer to win the Berlin Prize, Laura Schwendinger’s music has been championed by artists Dawn Upshaw, Matt Haimovitz, Miranda Cuckson, and many more.

Previously, Herb Payung served as the Assistant Director of Bands at Elon University where he was involved with all aspects of the athletic band program and conducted the Concert Band.

Albert Pinsonneault is the incoming Associate Director of Choral Studies at UW–Madison. Previously he served as Associate Director of Choral Organizations at Northwestern University in Evanston, IL, and Director of Choral Activities at the University of St. Thomas.

Corey Pompey holds the bachelor of science degree in music education and the master of arts degree in music education from The University of Alabama. He earned his doctor of musical arts degree in wind conducting at The University of Texas.

Peter Dominguez grew up in Milwaukee, Wisconsin participating in the Music for Youth Orchestras, and performing with his father, pianist and singer Frank DeMiles.

Born in Sauk City, Wisconsin, Matthew Endres is the adjunct professor of drum set and jazz history at the Mead Witter School of Music. In addition, he adjudicates music festivals and competitions extensively throughout the United States.

Mark Hetzler began playing his father’s trombone at the age of twelve. He went on to receive a B.M. from Boston University and an M.M. from the New England Conservatory of Music.

Martha Fischer is professor of piano at the University of Wisconsin-Madison School of Music, where she heads the collaborative piano program.

Jessica Johnson serves on the piano faculty as Professor of Piano and Piano Pedagogy and Director of Graduate Studies.

Hailed by critics as “frighteningly talented” (The New York Times) and “a great pianist” (The Los Angeles Times), Christopher Taylor has distinguished himself throughout his career as an innovative musician with a diverse array of talents and interests.

Jesse Rathgeber, Ph.D., has held tenure track positions at Augustana College in Rock Island, Illinois and James Madison University in Harrisonburg, Virginia.

Dr. Walter Rich holds an undergraduate degree in music education from UW-Madison and a master’s degree in music performance from Northwestern University, where he studied with Mr. Arnold Jacobs, legendary principal tuba player of the Chicago Symphony. He earned his PhD in curriculum and instruction at UW-Madison.

Nadia Chana’s current research focuses on listening as a critical practice for cultivating deeply felt relationships with a more-than-human world.

Gabrielle Cornish’s research broadly considers music and everyday life in the Soviet Union.

Ilana Schroeder’s current research interests focus on issues of translation and movement of music and bodies in the Middle Ages.

Through his music – a fascinating, eclectic blend of classical, world and improvisational styles – Todd Hammes presents to the world his own unique inner vision of sound and music.

When Javier Calderon played his solo recital debut at Carnegie Hall, The New York Times called him “…a virtuoso with poetic sensibility.” Since then, many composers have been writing and dedicating guitar concertos and solo pieces to Calderon.

Sally Chisholm, violist of the Pro Arte Quartet, and Professor of Viola, has had an extensive career in chamber music.

Peter Dominguez grew up in Milwaukee, Wisconsin participating in the Music for Youth Orchestras, and performing with his father, pianist and singer Frank DeMiles.

American soprano Mimmi Fulmer performs repertoire ranging from early music to premieres of works written for her. Her distinguished career in new music includes premieres of nine roles in eight operas.

David Ronis, the Karen K. Bishop Director of University Opera, has maintained an active schedule in a multi-faceted career. Previously, he taught at the Aaron Copland School of Music, Queens College/CUNY, Hofstra University, and Wagner College.