University Opera

University Opera 2025/26 Productions

Each year, we present an annual season of two fully staged operas, as well as evenings of opera scenes and one-act operas.

Le nozze di Figaro (The Marriage of Figaro) - Nov. 21-25, 2025 - Music Hall

Purchase tickets
General Public: $32
Seniors: $27
UW–Madison Students: $10

Le nozze di Figaro (The Marriage of Figaro)
Music by W. A. Mozart
Libretto by Lorenzo da Ponte

David Ronis, Director
Oriol Sans, Conductor

Friday, November 21, 7:30 pm
Saturday, November 22, 7:30 pm
Sunday, November 23, 2 pm
Tuesday, November 25, 7:30 pm

Music Hall

Le nozze di Figaro (The Marriage of Figaro) is not only one of Mozart’s most famous masterpieces, but it is arguably one of the great works of western culture. With a sublime score, hilarious comedy, and deeply human characterizations, it never fails to please. Based on Pierre Beaumarchais’ paradigm-changing play, Figaro features realistic portraits of 18^th century aristocrats and servants and mirrors the burgeoning revolutionary spirit in France in the 1780s. But it’s the story and the score that really hook us.

Count Almaviva wants to revive the “droit du Seigneur,” the right of a lord to bed a servant’s bride on her wedding night and Susanna, his wife’s maid and confidant, is his current target. Figaro and Susanna, along with the Countess, devise a plan to thwart the Count’s advances and expose his inappropriate behavior. Add Mozart’s score, a group of colorful supporting characters, plus additional plot twists and turns into the mix and you have the ingredients for a wonderful, enlightening, and moving theatrical experience.

Our Town - March 20-24, 2026 - Music Hall

Our Town
Music by Ned Rorem
Libretto by J. D. McClatchy
Based on the play by Thornton Wilder
March 20-24, 2026
Music Hall

Ned Rorem beautifully captures the atmosphere of Grover’s Corners, New Hampshire at the turn of the 20^th century in his operatic treatment of Thornton Wilder’s seminal play. His harmonic language juxtaposes an open feeling of Americana with dissonance, an apt setting for this tale. The Stage Manager character narrates the familiar story following young George Gibbs and Emily Webbs and their parents as they fall in love and get married. And the last act’s poignant denouement occurs in the same way as it does in the play, as the dead remind us that life is short and we need to cherish it.

About

Since 2015, UW–Madison’s University Opera has national attention as the recipient of 10 National Opera Association Production Awards and five awards from The American Prize.

On our mainstage each year, we present two fully staged operas with the UW–Madison Symphony Orchestra. In recent seasons, repertoire has included Albert Herring, La traviata, Le nozze di Figaro, Transformations, L’incoronazione di Poppea, Into the Woods, Così fan tutte, Two Remain (Out of Darkness), Sweeney Todd, What’s Past is Prologue: The Unfinished American Conversation, The Turn of the Screw, La bohème, A Midsummer Night’s Dream, Die Zauberflöte, A Kurt Weill Cabaret, Don Giovanni, and I Wish It So: Marc Blitzstein – The Man in His Music.

In addition to presenting works from the standard repertory, University Opera is dedicated to presenting new operas as well as works representing diverse composers and topics. In 2023, we collaborated with the Wisconsin Chamber Orchestra in performing excerpts from Bill Banfield’s Edmonia (about Edmonia Lewis, a 19^th century African American sculptor) as well as a reading of Everlasting Faint a new opera by Scott Gendel and Sandra Flores-Strand. In September 2024, we will be workshopping La Ballonniste, a new opera by Lisa Bielawa and Claire Solomon, and presenting a program of sung excerpts.

In addition to mainstage presentations, we offer Opera Workshop, a course dedicated to the study of staging skills and repertoire, culminating each semester in performances of opera and musical theater scenes and one-act pieces. We also offer Acting for Singers, a two-semester sequence focusing on acting techniques specific to the operatic and musical theater stage. UW–Madison students also have the opportunity to perform around the state for outreach programs in schools and arts centers.

University Opera frequently hosts prestigious guest artists in concerts and master classes. Recent guests include Renée Fleming, Amanda Majeski, Karen Slack, Brenda Rae, Gary Thor Wedow, Daniel Belcher, Nathaniel Stampley, Brenda Harris, Ben Heppner, Dawn Upshaw, and Barbara Bonney.

Faculty

David Ronis

Karen K. Bishop Director of University Opera

ronis@wisc.edu
608.263.1932
Bio

Mimmi Fulmer

Professor of Voice and Opera

mkfulmer@wisc.edu
608.263.1882
Bio

Thomas Kasdorf

Lecturer of Vocal Coaching

tkasdorf@wisc.edu

Oriol Sans

Associate Professor, Director of Orchestral Activities

osans@wisc.edu
608.262.0249
Bio

Support University Opera

University Opera’s season is made possible by the support of alumni, friends, and community organizations. Due to the significant costs of producing opera, the university can fund only a small fraction of our budget. Generous donors have helped underwrite productions and support students who would not otherwise have been able to attend UW–Madison.

DONATE HERE

Program Endowment

We are deeply grateful for the assistance of The Karen K. Bishop Fund for Voice and Opera, The Ann Crow Fund for Voice and Opera, and to The Dara Elizabeth Welty Fund for helping make a high-quality season available to our students and audiences. Our goal is an endowed annual operating fund to provide infrastructure for recruiting, training, and performance opportunities to our singers.

We welcome your inquiries about becoming part of our family of donors. To find out more, please contact Rebekah Sherman at the University of Wisconsin Foundation at 608.572.2077 or at Rebekah.Sherman@supportuw.org.

The Karen K. Bishop Fund for Voice and Opera

The friends and family of Karen K. Bishop, utilizing the generous opportunity of the Morgridge Match program, endowed an opera director professorship in her name following her untimely death in January of 2015. A proud alumna of the School of Music, as well as an active scholar, performer and philanthropist, Dr. Bishop was a devoted supporter of the Opera program from which she received her D.M.A. degree in 2011.

Karen K. Bishop

With the success of the professorship, Karen’s husband, Dr. Charles W. Bishop, called for the creation of a committee for advancement work to ensure the success of the voice and opera program for years to come. The committee, which consists of Charles Bishop, members of the School of Music faculty and staff as well as friends and supporters from the larger Madison community, has identified four critical needs for the opera program:

1. An additional endowed professorship in voice to ensure that the School of Music can attract and retain the highest caliber of faculty to support its student performers.

2. Student financial support to provide fellowships, teaching assistantships, scholarships and awards for graduate and undergraduate students in order to recruit best quality talent around the country and the world, making UW-Madison one of the best schools in the country for voice and opera studies.

3. Underwriting support for opera productions to provide the highest quality musical and dramatic experiences for our students and audiences.

4. Funding to renovate the Opera Program’s historic Carol Rennebohm Auditorium in Music Hall to provide professional experiences for our students.

You can join in strengthening the UW-Madison opera program by giving at the following levels of support. Donors who make gifts to this fund will be recognized in ongoing opera programs.

Levels of support for the Karen K. Bishop Fund for Voice and Opera, with examples of impact to the program.

The Chorus
$100-$999
Awards for students for travel/summer program; production costs

The Impresario
$1,000-$4,999
Awards for voice/opera students; production costs.

The Director
$5,000-$9,999
Scholarships and awards for students; production costs.

The Prima Donna
$10,000-$24,999
Support for scholarships, awards, fellowships and teaching assistants.

The Producer Circle
$25,000-$49,999
Underwriters for one or more University Opera productions; fellowships; scholarships.

The Bishop Circle
$50,000 or more
Endow portions of the voice and opera program, including professorships, scholarships and fellowships.

Give online now!

Or, if you prefer, make a check payable to University of Wisconsin Foundation and note “Bishop Fund for Voice and Opera” in the memo line. Please mail your check to University of Wisconsin Foundation, US Bank Lockbox, Box 78807, Milwaukee, WI 53278-0807.

Learn More About Giving

For more information about giving opportunities, contact Rebekah Sherman at 608.572.2077 or at rebekah.sherman@supportuw.org

Mead Witter School of Music