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Mead Witter School of Music Guest Artist Series

Emery Stephens, baritone
Kathryn Ananda-Owens, piano
Parry Karp, cello

Emery Stephens & Kathryn Ananda-Owens Schedule:
Wednesday, February 21, 2024
2:15 pm-3:15 pm: Opera Workshop coaching/performance class by Dr. Stephens (Free/Humanities 1341)
4 pm-6 pm: Presentation on performance anxiety by Dr. Ananda-Owens (Free/Morphy Recital Hall)

Thursday, February 22, 2024
4:30 pm-6 pm: Collaborative class for duo pairs by Dr. Stephens and Dr. Ananda-Owens (Free/Morphy Recital Hall)

Friday, February 23, 2024
12 pm-1 pm: Presentation on performance anxiety for instrumentalists by Dr. Ananda-Owens (Free/Lee/Kaufman Rehearsal Hall)
1 pm-2:30 pm: Informal time to talk with students about DEI repertoire by Dr. Stephens (Free/Collins Recital Hall)
7:30 pm: Recital (Ticketed/Collins Recital Hall )

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Program

Etude in A-Flat minor, Part II, No. 2       H. Leslie Adams (b. 1932)
Kathryn Ananda-Owens, piano

Black Identity

Compensation (Paul Laurence Dunbar)    Charles Lloyd Jr (b. 1948)

Epitaph for a Poet  (Countee Cullen)    Cecil Cohen (1894-1967)

Lovely Dark and Lonely One (Langston Hughes)      Harry Burleigh (1866-1949)

Ethiopia Saluting the Colors (Walt Whitman)  Harry Burleigh

Journey through Life

For You There is No Song (Edna St. Vincent Millay)     H. Leslie Adams (b. 1932)
from Five Millay Songs

Weeping Angel (Leroy V. Brant)      William Grant Still (1895-1978)

Steal Away             arr. Dave Ragland

Weary Blues (Langston Hughes)      Dorothy Rudd Moore (1940-2022)
Kathryn Ananda-Owens, piano
Parry Karp, cello

Break

Etude in G major, Part I, No. 2             H. Leslie Adams

Musings

I Believe (Anonymous)      Dave Ragland

Evening Song (Jean Toomer)      Harold Bruce Forsythe (1908-1976)

Because Your Voice (James Joyce)

Watching the Needleboats at San Sabba (James Joyce)

Conflict and Resilience 

We Wear the Mask (Paul Laurence Dunbar)      Del’Shawn Taylor
(Additional text by Parris Lewis and Del’Shawn Taylor)

I, Too, from Three Dream Portraits (Langston Hughes)        Margaret Bonds (1913-1972)
Kathryn Ananda-Owens, piano

To What You Said (Walt Whitman) from Songfest       Leonard Bernstein (1918-1990)
Kathryn Ananda-Owens, piano
Parry Karp, cello

Lost in the Stars (Maxwell Anderson) from Lost in the Stars      Kurt Weill (1900-1950)

Faith and Inspiration

Ride On, King Jesus from Five Spirituals for Baritone and Cello    James Scott Balentine
Emery Stephens, baritone
Parry Karp, cello

Witness      arr. Hall Johnson (1888-1970)

He’s Got the Whole World in His Hands      arr. Moses Hogan (1957-2003)

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Emery Stephens, baritone, joined the music faculty at St. Olaf College in 2019, where he teaches voice students and music-related courses. Praised by the Boston Phoenix for his singing “with ringing suavity and articulate intelligence,” he performs a diverse vocal repertoire, from traditional to contemporary. A versatile and charismatic singer, Dr. Stephens has performed with the Boston Art Song Society, Bridge Chamber Music Festival, Abridged Opera of Ontario, Wilmington Symphony, Carolina Ballet with members of the North Carolina Symphony, Arbor Opera Theater, Michigan Philharmonic, Ann Arbor Symphony, Boston Lyric Opera/Opera New England, Michigan Philharmonic, Michigan Opera Theatre’s Community Education Programs, and the Detroit Jazz Festival in a revival of Dave Brubeck’s The Gates of Justice with renowned jazz pianist Jason Moran and his trio, The Bandwagon. He has performed works by American composers, such as True Witness: A Civil Rights Cantata by Jodi Goble and the blues opera De Organizer by James P. Johnson. As a narrator, he has collaborated on the Passion of John Brown by Jesse Ayers, Paddle to the Sea by Andre Meyers, and the jazz-inspired Sweet Music in Harlem by Andy Kirschner.

The Boston Globe wrote, “As Mel in Michael Tippett’s opera, The Knot Garden, Stephens disappeared entirely into his character.” As a singing actor, he has worked with innovative stage directors – Simon Target, Elkhanah Pulitzer, Dorothy Danner, Nicolette Molnár, Kay Walker Castaldo, Will Graham, and noted choreographer Bill T. Jones. Additionally, he sang supporting roles in Monteverdi’s L’Orfeo with conductor Andrew Parrott, lutenist Paul O’Dette and the Boston Early Music Festival Orchestra at Harvard University’s Sanders Theatre.

An enthusiastic advocate for music education and inspiring communities through vocal music, Dr. Stephens is a core summer faculty member of the Singing Down the Barriers Institute at the University of Michigan. He is a master teacher for the “Song of America” project through the Hampsong Foundation, exploring classic American songs’ diversity as an interdisciplinary lens for teaching. His past engagements as a teaching artist include Carnegie Hall/Weill Music Institute, Fenimore Art Museum in Cooperstown, New York, and the Northwest Museum of Arts and Culture sponsored by the Spokane Symphony. His workshop presentation, “Mirror on the Wall: Self-Care and Modeling Healthy Vocal Habits in the Classroom,” was launched at the 2017 All-State Conference of the Arkansas Music Educators Association.

A 2014 Africana Artist-in-Residence at the University of North Carolina at Charlotte, Dr. Stephens has presented at conference sessions for the International Congress of Voice Teachers, International Society for the Scholarship of Teaching and Learning, Garth Institute for Music Research, National Association for the Study and Performance of African American Music, and the African American Art Song Alliance. As co-founder of the “Singing Down the Barriers” project with Dr. Caroline Helton at the University of Michigan, he co-published articles in the Journal of Multicultural Teaching and Learning and the NATS Journal of Singing and a book chapter on African American Art Song in So You Want to Sing Spirituals by Randye Jones.

A native of Boston, Massachusetts, Dr. Stephens earned degrees from Gordon College (BA), Boston University (MM), and the University of Michigan (DMA). He was a regional finalist for the Leontyne Price Vocal Arts Competition and performed in masterclasses for Nico Castel, Martina Arroyo, Darryl Taylor, and composer Robert Owens. He completed summer workshops at the Eastman School of Music, Westminster Choir College, David Jones Teacher Mentoring Seminar (New York), and with Los Angeles vocal coach Lisa Popeil on contemporary commercial technique and vocal styles. Dr. Stephens is a member of the National Association of Teachers of Singing (NATS), College Music Society, Music Teachers National Association, Musical Theatre Educators’ Alliance, and an adjudicator for NATS auditions and the George Shirley Vocal Competition.

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Winner of first prize in the 1993 Neale-Silva Young Artists Competition, pianist Kathryn Ananda-Owens enjoys an active career as performer, teacher, and scholar. A laureate of the American Pianists Association Biennial Fellowship Competition, she made her Asian debut in 1997 under the auspices of the government of Macao and her European debut the same year in Vienna. She has performed as a soloist with the Saint Paul Chamber Orchestra, toured internationally as piano soloist with the St. Olaf Orchestra and has appeared at Lincoln Center. A founding member of the New Horizons Chamber Ensemble, Ms. Ananda-Owens also performed for several years as pianist of the Melius Trio. She received degrees from Oberlin College, Oberlin Conservatory, and the Peabody Conservatory of Johns Hopkins University, where she studied with Julian Martin. Her concerts have been broadcast on radio and television on three continents and recorded on the MSR, Centaur, Limestone, St. Olaf Records, and Westmark labels. Dr. Ananda-Owens serves on the board of directors of the Performing Arts Medicine Association.